ALTAN
(Ireland) This is a band I've come around to liking a great deal. Whomping
good sound, with unearthly and wonderful vocals by Mairead Ni Mhaonaigh,
who also leads the fierce fiddling. Their Donegal sound is something
different.
ARCONA REEL BAND
(American) Based in Pennsylvania, this rowdy group has more fun than a lot
of bands I've seen! They play anything Celtic, mushed together
helter-skelter -- and it sounds great! (Watch out for the bogeying bass!)
Most often seen playing at folk/heritage festivals and Renaissance Faires.
THE BOTHY BAND
(Ireland) Trad band from the seventies. Sharp and bouncy, with
generous
measures of harpsichord thrown in. They play the tunes straight but
good.
THE BOYS OF THE LOUGH
(Ireland) A less smooth and cultured sound than, say,
Dervish, but strong musicians, all of them. They're a lot of fun, and they
sound a little more like what a session would be. I like 'em because they
do a lot of Shetland tunes: they lay claim to the great Shetland fiddler
Aly Bain. They've been around for over 25 years and have more albums out
than I can count (I keep discovering more), and they're all good.
CAPERCAILLIE
(Scotland) Capercaillie is one of the bands that has followed the
unfortunate modern trend of playing Celtic with a generous twist of
rock. Their very early albums are good (Crosswinds, for example),
but moving into the 90s, their sound changes to one I certainly am not
fond of (To the Moon, for example).
CHERISH THE LADIES
(Ireland) An all-female group based in the US, they have over-turned a
male-dominated
field (for all you feminists out there; I'm not too particular about
their origins as long as they make great music). Tight group sound, with a
nice mixture of traditional tunes and contemporary arrangements and new
songs, such as the gorgeous song "Broken Wings" on the New Day
Dawning album. They've had greats like Eileen Ivers (fiddle), Cathie
Ryan (vocals), and Joanie Madden (tinwhistle) as bandmembers.
DERVISH
(Ireland) Young and energetic, with sweet female vocalist and just
great instrumental power all around. My favorite album is At the End of
the Day. Here's a good article.
FULL MOON ENSEMBLE
(American) This band from Alabama has a great American sound that combines
all sorts of Irish and Scottish tunes. Guitarist Scooter Muse has a knack
at setting Burns to tunes, and their champion fiddler Daniel Carwile is a
treat to listen to!
GAELIC STORM
(Ireland) You want energy and bounce? You got it! Fun, funky tunes, with a
bit of African rhythm. Their self-titled first album doesn't have a slow
or minor track on it. Okay, so maybe they lack depth, but they are really
strong on their traditional tracks.
OPEN HOUSE
(Ireland) Crazy group! Founded by Kevin Burke, this group flies away with
all kinds of music. They don't stay strictly traditional, but they're
still fun. Their latest album, Hoof and Mouth, is decidedly less
traditional than their first and self-titled first album. If Kevin Burke
isn't enough to make you run out and get these albums, try this: Mark
Graham on harmonica. Yum.
PATRICK STREET
(Ireland) All four founding members of this group -- Kevin Burke
on fiddle, Jackie Daly on button accordian, Arty McGlynn on guitar, and
Andy Irvine on bouzouki -- are living legends in traditional Irish music.
Awesome talents, all of them. They play good driving melodies.
REELTIME
(Ireland) American swing Irish with a vengeance! They are so much
fun, though. The trad tunes are there, for sure, but they like to play
with them in interesting ways. First track on the album Live It Up:
The Trucks of Bohermore.
SILLY WIZARD
(Scotland)
Great name, great musicians. Husky-voiced, burry Andy Stewart
is their lead vocalist, and fiddler Johnny Cunningham can really rip the
rosin on the reels! I think their sound is smoother and less abrasive
than
the Tannahill Weavers can be.
SOLAS
(Ireland) Young and energetic, with a powerful session sound. Karan Casey
sings with
a haunting lilt, fiddler Winifred Horan plays with a deep, strong tone,
and their banjo player is madly, crazily good. The band
keeps pace and drive and tension, whether it's a bunch or reels or a
lament. "Solas is
the rarest of all Irish bands -- able to play traditional music with the
best of them and also perform original music with exceptional style and
imagination. Solas has to be ranked among the most exciting Irish bands."
-- Earle Hitchner, IRISH ECHO
THE TANNAHILL WEAVERS
(Scotland) Probably the most popular of Scottish folk bands.
Powerful sound with some
knock-you-out-of-your-seat Highland piping. Lots of Bobby (Robert)
Burns and Robert Tannahill songs. They also do a wonderful rendition of
"Wild Mountain Thyme." ("If Scottish folk music has an
anthem, this is it." -- liner notes) (By the way, sometimes the liner
notes are worth it just for their humor value!)
THE WHISTLEBINKIES
(Scotland) How can you not love a band with that name? Tight, traditional,
more
towards an almost chamber music sound, but can still make you tap
your toes. Lovely, lovely clarsach (harp) playing. A Wanton
Fling is by far their best album. Their
newest release, Timber Timbre (1999) is along much the same vein,
and includes a surprising rendition of a couple of ancient Chinese tunes.
ALY BAIN
KEVIN BURKE
JOHNNY CUNNINGHAM
ALASDAIR FRASER
MARTIN HAYES
WINIFRED HORAN
EILEEN IVERS
NATALIE MacMASTER
BONNIE RIDEOUT
JAY UNGAR
FIDDLERS
(The Shetland Isles) High-energy, powerful sound, very dancable, yet with
a smooth, pulsing quality. Also composes lovely waltzes and does justice
to the waltzes of Pat Shaw (another native of Shetland, although most
known for English Country Dance). One of my favorite fiddlers.
(Ireland) One of Ireland's best fiddlers. From Co. Sligo, he
playing is lively, strong, typically Sligo-slidey, and heavily traditional
(unless it's with Open House). He has formed a key
part of many Irish groups, such as Patrick Street and Open House. And what
a great personality!
(Scotland) Often seen paired with Kevin Burke and Christian LeMaitre as
part of Celtic Fiddle Festival, but he stands perfectly well on his
own. Fierce and viciously fast. Founding member of the great Scottish band
Silly
Wizard (you just have to have an album by them just for their
name! :-)
(Scotland) Whee! Incredible and quirky. Lots of fun in
concert. Although firmly rooted in traditional Scottish music, he tends to
hang with the New Age types. His solo album Dawn Dance, comprised
of tunes of his own composition, is funky and upbeat.
(Ireland) Hailing from Co. Clare, he has a sweet, slow, smooth sound that
makes you want to relax. But he can also play like nobody's
busuness!
(Ireland) She plays kickin' backup with a number of bands, mainly Solas. I
haven't found a solo album by her, but she makes just about any band
worthwhile.
(Ireland) American born of Irish parents, she does amazing things
with Irish tunes. Was an original member of the great women's Irish
band Cherish the Ladies. She is indeed amazing, but tends to get carried
away. (cf. her stint with Riverdance) Her latest album, Crossing the
Bridge, is positively a tragedy. Yes, she getes tremendously creative
with traditional tunes -- but here she takes things a step too
far. (Hip-hop Irish?? I don't think so.) You want her at her funky best,
try her second album, Wild Blue.
(Cape Breton) Big name, big style, big sound! Everything she plays, even
the waltzes, has typical and wonderful Cape Breton punch, pulse, and
beat. Her first album, Fit as a Fiddle, is more traditional, while
No Boundaries gets a little wild and heavy on the synth.
(Scotland) Sweet, sweet, sweet. Has a deep, rich tone that I love. You can
tell she's having fun with the fast tunes, and rolls out the laments like
you wouldn't believe. Her best album by far is Soft May Morn.
(American) He's the one who wrote the now-immensely popular Scottish
lament "Ashokan Farewell" (which is, in his own words, "a Scottish lament
written by a Jewish guy from the Bronx." Ah, America!) Beautiful and
soulful tone, with yet more fabulous waltzes (see his album The Lover's
Waltz.)